Footnotes issues A–F
(26 articles, 288 pages)
Every issue includes a foreword from the editor, which isn’t listed below. The numbers between parenthesis indicate the page range (continuous through issues) and page total.
issue A (5 articles) 2016
- Pastis & Cigarettes (2–9, 8 pp.)
From Academia to Academica
František Štorm - Subalpine (10–13, 4 pp.)
One-off One: Josef
Atelier Carvalho Bernau - Typewriter type faces (14–33, 20 pp.)
Alan Bartram - The Race for Unica (34–37, 4 pp.)
One-off Two: Unica Intermediate
Louise Paradis - The Haas Typefoundry Ltd. in an International Environment (38–47, 10 pp.)
Changes and Developments in its Organisation and Operation – part 1
Brigitte Schuster
Proofs (48)
František Štorm, Allen V. Hershey & Frank Grießhammer
issue B (6 articles) 2017
- The Haas Typefoundry Ltd. in an International Environment (50–56, 7 pp.)
Changes and Developments in its Organisation and Operation – part 2
Brigitte Schuster
Sans plomb (57)
Optimo - The 2002 Typographic Agenda (58–63, 6 pp.)
François Rappo - Typeface Redesign (64–69, 6 pp.)
Christian Mengelt - A Note on the AA Files Display Initials (70–75, 6 pp.)
One-off Three: all styles
Adrien Vasquez - Cogitating Vectors: The Hershey Fonts (76–81, 6 pp.)
Frank Grießhammer - Everyday types (82–95, 14 pp.)
Researching Ladislas Mandel’s typefaces for telephone directories – part 1: Galfra
Alice Savoie, Dorine Sauzet, Sébastien Morlighem
Proofs (96)
François Rappo, Christian Mengelt, Adrien Vasquez, Jean‑Baptiste Levée
issue C (5 articles) 2019
- Everyday types (98–107, 10 pp.)
Researching Ladislas Mandel’s typefaces for telephone directories – part 2: Linéale, Lusitania & Nordica
Alice Savoie - The ABCC of CACB (108–115, 8 pp.)
One-off Four: LARA & BALI
Coline Sunier & Charles Mazé - Carbon copy (116–127, 12 pp.)
The production of typewriter type styles and their influence on letterpress typefaces
Nicolien van der Keur - May gallery & residency (128–133, 6 pp.)
One-off Five: Antique No 525 & various hand-lettered posters
Alaric Garnier - The godfather: retracing the origins of Akzidenz‑Grotesk (134–143, 10 pp.)
Dan Reynolds
Proofs (144)
Pierre Pané‑Farré, Alaric Garnier, Nicolien van der Keur, Radim Peško
issue D (4 articles) 2022
- Telefont and the last Dutch telephone book (146–155, 10 pp.)
Martin Majoor - Ikarus between the worlds (156–173, 18 pp.)
Ferdinand P. Ulrich - Picture me and then you start watching (174–179, 6 pp.)
One-off Six: Ceremony
Joost Grootens - Mixed cases (180–191, 12 pp.)
A perspective on material qualities of 19th century stereotyped poster type
Pierre Pané‑Farré
Proofs (192)
Pierre Pané-Farré, Alaric Garnier, Berton Hasebe, Charles Mazé & Coline Sunier, Ferdinand Ulrich
issue E (4 articles) 2024
- Permanent’s moment (194–207, 14 pp.)
On the genesis of Karlgeorg Hoefer’s mid-twentieth century grotesk
Florian Hardwig - Pierre-Louis Vafflard (208–215, 8 pp.)
The types cut for François-Ambroise Didot (1781–5)
Sébastien Morlighem - Ô Fernand (216–225, 10 pp.)
One-off Seven: Fernand Baudin Bille and Feutre
Coline Sunier & Charles Mazé - (Way) Back to school (226–239, 14 pp.)
Practical notes on Walter Käch’s educational material
Dinamo & Omnigroup
Proofs (240)
Laurenz Brunner, Charles Mazé & Coline Sunier, Mathieu Christe, Dinamo & Omnigroup, Dávid Molnár
issue F (4 articles) 2026
- Under the lens of forensic science (242–259, 18 pp.)
The analysis of typewriter typefaces in Switzerland for legal and investigative purposes
Sophie Wietlisbach - Record covers #1 (260–273, 14 pp.)
Francis Baudevin, Selina Bernet, Raffael Doerig, Florian Hardwig, Maud Pollien, Quentin Schmerber - Fables of Venice (274–279, 6 pp.)
One-off Eight: Nizioleti
Adrien Vasquez - Energy Made (Them) Visible (280–287, 8 pp.)
Chap. III, Jean Crampilh-Broucaret and ‘le plancher de Jeannot’ (1971–1972)
Olivier Lebrun
Proofs (288)
Sophie Wietlisbach, Laurenz Brunner, Susana & Kai, Mathieu Christe, Pierre Pané-Farré, Adrien Vasquez