LP

Footnotes issues A–E
(22 articles, 240 pages)

Every issue includes a foreword from the editor, which isn’t listed below. The numbers between parenthesis indicate the page range (continuous through issues) and page total.

issue A (5 articles) 2016


  1. Pastis & Cigarettes (2–9, 8 pp.)
    From Academia to Academica
    František Štorm
  2. Subalpine (10–13, 4 pp.)
    One-off One: Josef
    Atelier Carvalho Bernau
  3. Typewriter type faces (14–33, 20)
    Alan Bartam
  4. The Race for Unica
    One-off Two: Unica Intermediate (34–37, 4 pp.)
    Louise Paradis
  5. The Haas Typefoundry Ltd. in an International Environment (38–47, 10 pp.)
    Changes and Developments in its Organisation and Operation – part 1
    Brigitte Schuster
    Proofs (48, 1 p.)
    František Štorm, Allen V. Hershey & Frank Grießhammer

issue B (6 articles) 2017


  1. The Haas Typefoundry Ltd. in an International Environment (50–56, 7 pp.)
    Changes and Developments in its Organisation and Operation – part 2
    Brigitte Schuster
    Sans plomb (57, 1 p.)
    Optimo
  2. The 2002 Typographic Agenda (58–63, 6 pp.)
    François Rappo
  3. Typeface Redesign (64–69, 6 pp.)
    Christian Mengelt
  4. A Note on the AA Files Display Initials (70–75, 6 pp.)
    One-off Three: all styles
    Adrien Vasquez
  5. Cogitating Vectors: The Hershey Fonts (76–81, 6 pp.)
    Frank Grießhammer
  6. Everyday types (82–95, 14 pp.)
    Researching Ladislas Mandel’s typefaces for telephone directories – part 1: Galfra
    Alice Savoie, Dorine Sauzet, Sébastien Morlighem
    Proofs (96, 1 p.)
    François Rappo, Christian Mengelt, Adrien Vasquez, Jean‑Baptiste Levée

issue C (5 articles) 2019


  1. Everyday types (98–107, 10 pp.)
    Researching Ladislas Mandel’s typefaces for telephone directories – part 2: Linéale, Lusitania & Nordica
    Alice Savoie
  2. The ABCC of CACB (108–115, 8 pp.)
    One-off Four: LARA & BALI
    Coline Sunier & Charles Mazé
  3. Carbon copy (116–127, 12 pp.)
    The production of typewriter type styles and their influence on letterpress typefaces
    Nicolien van der Keur
  4. May gallery & residency (128–133, 6 pp.)
    One-off Five: Antique No 525 & various hand-lettered posters
    Alaric Garnier
  5. The godfather: retracing the origins of Akzidenz‑Grotesk (134–143, 10 pp.)
    Dan Reynolds
    Proofs (144, 1 p.)
    Pierre Pané‑Farré, Alaric Garnier, Nicolien van der Keur, Radim Peško

issue D (4 articles) 2022


  1. Telefont and the last Dutch telephone book (146–155, 10 pp.)
    Martin Majoor
  2. Ikarus between the worlds (156–173, 18 pp.)
    Ferdinand P. Ulrich
  3. Picture me and then you start watching (174–179, 6 pp.)
    One-off Six: Ceremony
    Joost Grootens
  4. Mixed cases (180–191, 12 pp.)
    A perspective on material qualities of 19th century stereotyped poster type
    Pierre Pané‑Farré
    Proofs (192, 1 p.)
    Pierre Pané-Farré, Alaric Garnier, Berton Hasebe, Charles Mazé & Coline Sunier, Ferdinand Ulrich

issue E (4 articles) 2024


  1. Permanent’s moment (194–207, 14 pp.)
    On the genesis of Karlgeorg Hoefer’s mid-twentieth century grotesk
    Florian Hardwig
  2. Pierre-Louis Vafflard (208–215, 8 pp.)
    The types cut for François-Ambroise Didot (1781–5)
    Sébastien Morlighem
  3. Ô Fernand (216–225, 10 pp.)
    One-off Seven: Fernand Baudin Bille and Feutre
    Coline Sunier & Charles Mazé
  4. (Way) Back to school (226–239, 14 pp.)
    Practical notes on Walter Käch’s educational material
    Dinamo & Omnigroup
    Proofs (240, 1 p.)
    Laurenz Brunner, Charles Mazé & Coline Sunier, Mathieu Christe, Dinamo & Omnigroup, Dávid Molnár